Norse witch, Heathen, Óðinn devotee
30's, female, double ♐♐

queerasfolkmagic asked: What are your thoughts about instinct v tradition? IE if you instinctively feel a plant or stone would be good in a working, but it goes against the traditional correspondences of that item? Are we disrespecting the inherent gifts and abilities of that plant by using it in a different way? Am I secretly asking this question to avoid getting mired down in the complex and ofter contradictory world of correspondences because it’s a whole lot of work? * * ok, I prob know the answer to the last one

lumberhexual:

ofwoodandbone:

Big topic, but I like how you’re approaching it. 

Personally, I can’t recall a time that my instinct on how to use the plant contradicted the folklore, especially when that folklore has more in-between the lines than in the lines themselves. 

What does in-between the lines mean in these cases? Well, let’s tackle the ‘contradictory’ question and find out.
Take one of my favorites, the common mullein. Folklore tells us that it is heavily linked to witches, in one way or another. Some folklore tells of the ways others have protected themselves from witchcraft with mullein, even some legend citing Ulysses using it to protect himself against Circe. Some legend cites that it can drive off wicked spirits. However, some folklore says that it is a favorite of witches. Some folklore says they carried candles made of mullein to their sabbaths. It’s been cited as having been used in necromantic rites and rituals involving spirit conjuration. Agrippa adds it to an incense to help spirits manifest before the magician.
 
So what do we do with all of that? Yes it gives to opposite uses, but does that mean it’s contradictory? No. It tells us that greater mullein is a plant that has a large amount of control over spirits, especially spirits of a darker inclination, and the same is to be said for the magic that stems from them. Whether that control be used to drive them off, summon them, or force them to appear, it exists within the plant. Where does that control come from? Perhaps it’s the fiery associations or its associations with light. Light and fire can, of course, bring vision and sight, attract things to their domain, but they can burn away and force things to flee. Only further research, in both experience and text, will confirm such things.

Mullein is not the only plant with opposite uses and virtues being listed. Many have them. Use that appearing contradiction to read between the lines. 

Now, onto instinct. I’m a big proponent of using instinct, BUT I’m also a big proponent of checking your instincts to make sure they’re in tip top shape. What that means is having good working relationships with the spirits in plants, doing research into folklore, and when you get an idea that is purely instinctual, check to see if it matches some aspect of existing folklore on the plant. It may not explicitly say ‘the smell of mint is pleasing to spirits and using it will attract and soothe them’, but the message may be there in the form of a story.

Before I knew anything about any written folklore or uses for mint, I was using it in funerary rites to appease uneasy spirits. I followed my instinct and found that it followed past knowledge. 

A more recent example is in peaches. I began testing love charms made from peach pits, found great success, but didn’t originally know that this was an old mountain folk charm. Again, I followed my instinct. 

So yes, I think you do need to follow your instinct and follow the direction the plant gives you, but I also think you need to verify the veracity of such an experience with previous written texts on the subject. 

As for found correspondence lists that simply give single words for plants, toss them. Even if they have truth to them, they’re going to only bring you more work to do later, and maybe hurt when it doesn’t list the differences between each plant. 

Make your own lists, forged with both instinct and research. Use your experiences too and how you’ve worked with the plant in the past. Don’t make single word correspondences. Make a guidebook that makes sense to your craft, your bioregion, and your folklore. 

Thanks @ofwoodandbone for another thoughtful, informative and honest answer. I particularly like the part about chucking out correspondence lists. I’ve always had a bit of an allergic reaction to them - partially because they feel a bit made up. Without context, it’s hard to tell how credible something is. But @ofwoodandbone’s point about how more information about where and when things appear in folklore - even if contradictory - can actually give insight into the mechanics of a plant. Cite your sources, people! Also, while I was secretly hoping they’d say ‘trust you wonderful instincts, you gifted and unique rainbow’ I’m glad the answer is do your research. Hit the books, get outside, and expiriment. Do hard thinking. That’s exactly what I needed to hear.

elphamebound:

northern-witchcraft:

If you want to be a casual witch, be a casual witch. If you want to devote your life to it, devote your life to it. Don’t let others decide what is “too much” and “too little”.

I’m a huge believer in owning your own self and not letting other tell you what to do with your practice. There are a million ways to practice and no one holds anything over you. 

That being said, we need to call “casual witch” what it is, which is dabbling.

Now I don’t mean this in a mean way, I’m saying this as someone who used to be a “casual” practitioner but have now devoted my life to my craft. 

If you want to be a “casual” witch, you’re going to have to understand there are things you will not be able to do, and levels you will never be able to reach. There are things that take time, and dedication, and work.

If you don’t want to put in the effort required you’re not going to get anything back. I know this, I’VE LIVED THIS.  Spirit flight, ecstatic ritual, the deeper mysteries, these are things I would never be able to do as a casual witch. 

I think it’s perfectly fine that there are casual practitioners, if you think about it a lot of our grandparents practiced forms of casual magic. 

The problem is when those Casual practitioners expect the same results, recognition, and experiences as those who have dedicated their lives to the craft. 

I’m sorry but it’s just not the same. For example a casual artist would never expect the same recognition, ability, and experience as that of a professional artist who has devoted their life to their craft. 

Basically if I could have dabbled my way to where I am I would have. But you can’t, you get what you put in, and if you put little in, you get little back. 
If you attempt advance things as a casual witch you’re not going to have a good time, there’s a good chance nothing will happen and an even bigger chance you’ll be in trouble. 

So, if you want to be a casual witch please do! But don’t so easily discredit the time, effort, blood, tears, and work of those who dedicate their lives to this. 

witches-ofcolor:

@annierosemb

First of all African Americans are such a mixed race that straight hair is actually very common amongst my people. There’s biracial African Americans, and some of us who’ve had our genes mixed due to slavery.

I have black people in my family who have naturally straight hair do to this, I have met African Americans with straight hair—both light skinned and darksinned—due to this. So no, it’s not cultural appropriation because straight hair is common amongst African Americans.

The problem is people stealing from other cultures—as they do on Instagram, and completely ignoring the one they took it from. The problem is black people looking “trashy” when they wear dreads, or Native Americans looking like “savages” or “dumb” when they wear traditional feathers in their hair, but white people are praised when they do it.

The problem is white people slapping the “g” slur on them like it’s a good thing, yet the term is still being used to oppress the Romani people. But its cool when white girls call themselves G*psies, but when we call Romani people that it’s only to force harsh and harmful stereotypes on an already suffering community.

The issue is that they take from our culture, yet refuse to credit our culture. They take from our culture but aren’t respecting us, but these are our cultures. We have a right to be upset when they are being taken from us. These belong to us, and as people who’ve got a loooonnnggg history of white people stealing and eradicating our culture, it’s not fair that they get to slap it in them like some fashion statement without at least sharing the cultural importance or helping the community they are stealing from.

It’s more than just letting people wear what they want, it’s more than just letting white people as a whole parade over cultures that they have historically silenced and destroyed.

It’s about demanding respect that we’ve continuously had taken from as people of color.

And if they don’t know that they are offending us, then by all means it’s up to us to tell them. If you saw someone offending someone or something, or you, are you just going to sit there and let them continue to be disrespectful? No, you’re going to educate them, which is what I do.

@annierosemb

The Witching Shoppe

Tumblr / Insta / Redbubble

Hello, friends and followers! I just started my own witchy clothing and accessory line! I call it The Witching Shoppe. It’s part of a larger store, which will include everything witchy, from clothing to crystals. All of the items are hand designed by me and printed on demand by @redbubble. Go take a look and let me know what you think. If you love it, follow @thewitchingshoppe on Tumblr for updates. If you’d like to help out, re-blog this post and spread the word. Thanks! 💛